Some stuff has been moved around, though, most notably a shortcut to quantize settings in the Transport panel, which is handy. The new look doesn’t particularly affect usability, it just feels more up to date. It didn’t feel like there was anything wrong with the old version at the time, but looking back, the new version is much cleaner and more modern.
When you have been using version 8 for a while and then see screenshots of version 7, it feels a bit like the transition from iOS 6 to iOS 7. The most obvious change is the new flat look, with bumpy buttons and gradients out, and flat, minimal toolbars and menus in. I’ve mentioned that Reason 8 doesn’t break massively with tradition, but there is of course some new stuff. Rack Extensions are available from third-party developers to expand your toolset. Direct sampling is available into many of the instrument modules and a pop-up wave editor lets you edit your samples easily. New modules such as the Softube Amp sit alongside Reason mainstays Malström and NN-XT in the trademark Reason Rack.Īudio parts are automatically analysed for tempo information and made elastic, and there’s an advanced groove quantization system for MIDI called ReGroove.
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Reason uses virtual patch cables to enable you to manually route sound anywhere, with a similar system for Control Voltage – just like you’d get in a real vintage synth.Ī MIDI learn system called Remote lets you hook up one or more MIDI hardware controllers and have several people performing and recording from a single project. Automation of devices is straightforward, and an integrated system of internal controller assignments means you can quickly map controls to almost any parameter. There’s a lot of other stuff too, much of which has been in Reason for a little while. The sequencer enables you to record, edit and arrange audio and MIDI parts, and the mixer contains pretty advanced channel strips and a master processing section for shaping your mixes.
You can keep going until your computer runs out of power, but Reason is so well optimised for modern hardware that any decent system should rarely come close to suffering actual performance problems. It’s a dual-platform MIDI and audio production environment with a focus on the ‘Rack’, a central area where you can load a near-infinite number of instrument and effect modules in order to generate and process sound. Let’s start with a quick recap for those new to Reason. Propellerhead has always practiced evolution rather than revolution, save for throwing us the odd surprise such as combining Record and Reason into one app and in the process making Reason capable of audio tracking.Īnd so it is that Reason 8 doesn’t throw out the rule book, but it does build on what is by now a very mature and stable foundation to bring the application up to date with modern workflow methods and also the increasingly popular ‘flat’ look that is gradually replacing the hyper-real metallic textures and gradients of recent years.
Here was a self-contained MIDI sequencer that didn’t support plug-ins (and still doesn’t, technically), but that was so much easier and more fun to use than almost anything else around at the time that it quickly became a huge hit worldwide.Īlthough it has come a long way since those early days, a version one user could look at version eight and still recognise it as a direct descendant. When Reason was first released it really shook up the music technology landscape.
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